8pm Failure (Andy Way and Bruce Anderson)
9pm Antony DiGennaro (Ventura CA)- filthy guitars of the acoustic and electric variety, electric bass and fretless bass guitars, prepared guitars and giraffe, stringed things, metal objects, garbage, electronics, the scrotar

Antony is a composer, guitarist, multi-instrumentalist and music educator originally from Simsbury, Connecticut, currently residing somewhere in Southern California. He has been involved in groups in the past such as the avant-jazz group A Probe Called Gnomes (with Dan Campolieta - keys, Tom Monaghan - percussion, and Geoff Saunders - bass) and Javanese Gamelan Kyai Doro Dasih under the leadership of Pak Djoko Walujo. Current group projects include Tinhorn Justice, an experimental metal group (with Cory Beers on percussion and vocals, Ian Carrol on trombone and vocals, James Barry on cello and electric bass, and Kyle Ross on vocals and electronic devices,) Ham on Rye, (Nick Rosen - bass, Cooper Baker - laptop,) and Mossman (Jake Vossler - guitar and vocals, Austin Wrinkle - percussion, Antony on electric bass.) Antony has also recently completed recording the solo guitar album The Dunes Thus Far, (to be released independantly in the near future) and is in the process of writing for a new, mostly acoustic solo guitar album to be recorded this fall and released on pfMentum. In addition to writing and recording he is currently completing the fourth year of his Bachelor's in Fine Arts at California Institute of the Arts in Music Composition. He has also written scores for the award winning animated films The Shoes, Ringmaster, and Secret Piano by Wenchung Lu, the live-action Cheat Mountain Run by Ben Feuer, and Miedo/Treuhand and The End by Sandra Powers. ..

Thursday, Sep 20 2007 8:00 PM

8&9pm Killick(GA) - devil cello with Rent Romus(evil incarnate)- saxophones, Suki O'Kane- percussion/drums, Philip Everett - percussion/drums, Kanoko Nishi - koto

Killick of Athens, Georgia doggedly chases the extemporaneity. He plays quasi-guitars and his "devil cello": the H'arpeggione, an upright acoustic instrument with sympathetic strings. Acoustic may be a dirty word, though that's his preferred (dirty) bag. His style blends primitive folk, beloved metal, and sacred musics from around the world into a doomy/pretty/physically exhausting voice.

Thursday, Sep 27 2007 8:00 PM

8:00pm Bob Marsh CD release performance of VioVox Violin, Voice, Samples, etc.
8:45pm Blaise Siwula/Robyn Siwula-saxophone/viola/violin (NY)
9:30pm VoxMaids
JoJo Razor: vocals, percussion, loop box
Cynthia Weyuker: vocals, saw, accordion, and various things


About VioVox from Bob Marsh:
I recorded this collection of rantings, ravings, sermons, scenes, little operas and whatever else they might be, in the flat lands of Richmond California in the spring of 2007. Richmond California lies along the east side of the San Francisco Bay and was at one time the home of Rosie the
Rivieter
I vocalize, play violin and cello and use samples I created on a Boss Looper Station. I employ a Boss Harmonizer on my voice on most tracks and use a Korg Kaoss III Pad on a few tracks. The cello and violin are processed through a Yamaha Stomp Box and a Line 6 DL-4. I constructed the loops from my voice, violin, cello and Silver Park, an instrument I recently invented. The recordings were done direct to minidisc.
A word about the words.
Not all the words are words. Most are almost words, made from the gesture of speech towards meaning just before the word itself arises. Feel free to complete anything you think might be missing. Most of the songs are not really songs, rather sonic pictures that dance through time without necessarily arriving at a particular destination. I hope this clears up some questions people have had recently about just what it is that I might be saying. The words that are clear are clearly words. Those that are not clear are unclear.