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NEW MUSIC SERIES, EVERY THURSDAY AT THE LUGGAGE STORE 8PM-10PM (2 SETS) $6-10 SLIDING SCALE DONATION, NO ONE TURNED AWAY FOR LACK OF FUNDS MARCH 2007 Thursday, Mar 1 2007 8:00 PM 8pm: Darwinsbitch with guests (Marielle Jakobsens - violin, electronics; Kristine Barrett - voice; Gregg Kowalsky - electronics) 9pm: Thomas Dimuzio & bran (...) pos - electronics/voice duo
bran(...)pos
from San Franciso, CA bran(...)pos: an ongoing solo excursion and
investigation of various forms of performance and music synthesis, with
a focus on realtime sonic plasticization and voice manipulation /
achieved using both hardware synthesizers and a custom set of
software-based sound grapplers that interface with the real world via
tactile control / performances rounded out with facial interpretations
and physical gesture (butoh and max fleischer-inspired) / aurally
combined for an experience that is heavy and heady like cannibal corpse
doing xenakis covers / ridiculous and magical like popeye sitting in
for jean- jacques perrey (popeye and kingsley) / full length cds
self-released on Chitah! Chitah! Soundcrack including the latest 2006
release Detangler / bran has been performed from Boise to Belgium
alongside many of today's most enigmatic and prolific sound and
performance experimenters.
http://soundcrack.net/branpos
Thomas Dimuzio San Francisco-based Dimuzio is one of those unsung artistic figures
whose influence and abilities have substantially outstripped his
visibility. Composer, multi-instrumentalist, sound designer,
experimental electronic musician, collaborator and recording studio
owner - Dimuzio has been busy doing his thing(s) since the late 1980's,
but is still only known to a small circle of electronic music
enthusiasts. A true sonic alchemist who can seemingly create music
events out of almost anything, Dimuzio's listed sound sources on his
various CDs include everything from "modified 10 speed bicycle" and
"resonating water pipe" to short-wave radios, loops, samplers and even
normal instruments such as clarinet and trumpet. And while his wide
range of musical interests make it impossible to pin a label on him,
Dimuzio clearly has an insider's knowledge of older experimental
musical forms such as musique concrete and electroacoustic, as well as
more current ambient, industrial, noise and post-techno styles. Among
his collaborations include Chris Cutler, Fred Frith, Dan Burke
(Illusion Of Safety), David Lee Myers, Nick Didkovsky, Paul Haslinger,
Due Process, 5uu's, Matmos, Wobbly, DJ Qbert, and many others.
http://www.thomasdimuzio.com -- :: :: Thomas Dimuzio / gench music :: :: http://www.gench.com
Thursday, Mar 8 2007 8:00 PM Tom Nunn solo CD Release performance of "Identity" Edgetone Records also sets by RTD3 Axallto
Tom Nunn
has designed, built and performed with original musical instruments
since 1976, having received a B.Mus. and M.A. in music composition from
the University of Texas at Austin and S.U.N.Y. Stony Brook, and
post-graduate work at U.C. San Diego. His instruments typically utilize
commonly available materials, are sculptural in appearance, utilize
contact microphones for amplification, and are designed specifically
for improvisation with elements of ambiguity, unpredictability and
nonlinearity. In addition to the nearly 100 instruments he has
made, Tom has performed extensively throughout the San Francisco Bay
Area for over 25 years, as well as in other parts of the U.S., Canada
and Europe, both as soloist and with other musicians. Tom has performed
with the groups Rotodoti, Off Ramp, Stritch, Twine, Toax, Reel Change
and Ghost In The House, and currently works with Axallto and RTD3. He
has appeared on a number of recordings, including his most recent solo
CD, "Identity." In 1998, he completed writing and self-published Wisdom
of The Impulse: on the nature of musical free improvisation, a book
that examines various aspects of this illusive art and presents a
theoretical foundation for creative listening, analysis and discussion.
Tom has also written a number of articles about the use of experimental
instruments and improvisation in publications such as Experimental
Musical Instruments, Musicworks and Leonardo.
Thursday, Mar 15 2007 8:00 PM 8pm: Charity Chan - Accordion Suzanne Thorpe - Electronics/Flute Paul Scriver - Saxophone/Bass Clarinet 9pm: Jordan Glenn and Anantha Krishna (tabla)
Charity
Chan's live performances focus on the evocation of alternative timbres
from the piano/accordion and the combination of these sounds with more
traditional performance techniques. Her improvisations are also
informed by the immediacy of physical gesture in live performance.
While Charity's creative work concentrates itself in the area of
contemporary improvisation (extended piano and amplified accordion),
she has also worked and studied extensively in the classical and
contemporary classical idioms.
Thursday, Mar 22 2007 8:00 PM 8pm Jonathan Segel - Violin, Guitar & Electronics 9pm (tentative) Emergency String Quartet
Thursday, Mar 29 2007 8:00 PM DSS(LA) Aaron Drake - FM Transmitter Feedback, Talkboy Deluxe, Assorted Electronics Phillip Stearns - Mixer Feedback, FM Transmitter Feedback, Misc. Custom Electronics Cassia Streb - Viola
Pink Canoes (OAK) Ava Mendoza - guitar/electronics Zachary Watkins - electronics/mythical creatures Travis Johns - bass/electronics Noah Philips - guitar/electronics Aram Shelton - saxophone/electronics
DSS
work in both acoustic and electronic mediums. Their sonic palate is
composed of mixer feedback, DIY and custom hacked circuitry, FM
transmitters, and (amplified) viola. Performances involve a mix of free
improv, graphic score interpretation, and audience interaction. At the
crux of their performance practice is the use of FM transmitters which
serve to tie each of our instruments together and diffuse the notion of
control amongst the group.
Pink Canoes = loud. improvised. and
then quiet. and still improvised. everyone plays instruments. sometimes
they don't play their instruments and then play them later on. other
times their instruments are knob-oriented and feed back a lot. we've
been told that in rare cases, these knob-instruments ARE their
instruments... some of them like cartoons. others like horror movies.
one of them has a kitty named godzilla. most of them play in other
bands which are equally as good. The "the" in their name is optional. |